soul dynamite pull no punches with the follow-up to their first release and go straight for the jugular with some vintage mr lif fire a 45 splitting mr lifs seven-and-a-half minute return of the b-boy into parts 1 and 2 one on each side. thats not quite as weird as it sounds for on lifs critically acclaimed debut full-length from 02, i, phantom, the el-p produced return of the b-boy features a fade and then a complete change of beat change for the epic third verse. the first half is dark, space-funky boom-bap while the second half is er even darker, and a bit faster, space-funky boom-bap. either side though, you’ll be able to revel in such a-grade lyrical excoriation of race relations in the states as, theyre defacing masterpieces, just to blast to pieces/ what’s dope and hope that wed accept a wacker thesis. jesus! black vinyl.

heavily supported by the likes of raresh. not to be missed.... fourth in this eee series, following three outrageously good and well received records to date, sees another one-sided, hand-stamped bomb. the artist behind it, as always, is being kept under wraps but there s no hiding the fact that this is some seriously heavyweight club ready business.
pressed on 180g vinyl.

catch recordings return with their 13th release, this time from dj najaora. hes an emerging talent from the ever growing techno region in georgia who s mature, fully formed sound is showcased here across three innovative left-field techno & electro tracks. the excellent night dreamers takes the a1 spot. its an analogue electro cut throughout. with forceful broken drums accompanied by electric lead lines that provide a powerful energy for the dance floor. space call is a more cerebral and less dance floor affair that has you day dreaming amongst the meandering pads and classic detroit electro vibes. a soft acid line runs throughout, while the whole cuts creates nostalgia of old warp records last of all simulaq which takes the b-side has wide and vast rubber kicks alongside booming bass. making this side a merge of bass and electro. trippy stabs and dark energy pervades the whole thing, making it track for the late hours. while 13 is an unlucky number for some, this certainly doesn t seem to be the case for catch recordings.

!!! 2018 repress !!! of nu guinea’s outstanding ‘world’ ep – the neapolitan duo is set to release new material on tartelet later in the year as part of the labels 10 th anniversary. the beautifully dislocated bougainvilles live lays out some warm analogue textures across a live percussion base, while the vocal edit of title track nu world ploughs a similar furrow to obscure 80’s afro-disco, with rich musical synth work over a pacey afro groove and undeniable jazz-funk flair. the flute mix passes over the vocal refrain from mix one and just gets down and wigs-out on those solos - an absolute killer! exotica dance club sounds like herbie visited the salsoul studios with his banks of analogue gear and jammed out into the small hours, as we head home on the beatless outro, all synth washes and lavish ear candy.

that warm and dreamy italian sound is experiencing a huge revival for a while now. some of the best new cuts in this genre come from the cosmic rhythm camp. producers nicolas and michele combine forces to deliver you this awesome new rydm sectors ep called summertime. 4 deep house bombs with pumping club vibe!

vinyl only! this may be the first release on alternate facts but if you look deeper you’ll find the culprits have been lurking amongst london’s underground for a while now. dexter kane and thoma bulwer have been solo-navigating the circuit for some time, however the past year has seen them converge to throw a string of successful clandestine events across the capital under the same name.the fact that the pair are both producers and sound engineers in their own right shines through on this well crafted 4 tracker. 300 copies.

fantastic jazzy funk! this is the second record by azymuth – and it’s way way better than anything they ever cut in america! it’s got a wonderful vibe that mixes brazilian fusion influences with the tight grooves of a maurice white-inspired generation – and the result still sounds amazingly great today. the record has great electric keyboards, some nice deep floating basslines and percussion, and it stands as some of the coolest, dopest stuff in this genre. with the great cuts “tarde”, “tamborim, cuica, ganza, berimbau”, “falcon love call”, and “aguia nao come mosca”. pressing on 180 gram vinyl.

boogie café enlist the expertise of goshawk & erik rico to provide the goodness for the next instalment in their boogie café black series. the home e.p. houses four versions of the title track with side a serving up a piano vibe mix, alongside a dub mix for good measure. the vibe mix layers a bassy, bumping piano line & erik s rnb flavoured vocals behind a shuffling beat before a soulful flute line takes centre stage. on a slightly different tip the dub mix drops the flute in favour of echoed out stabs for a sparser and tougher aesthetic, readymade for the dancefloor. flip it over and the percussion vibe mix adds in some choice congas and bongos, combined with sustained organ-style synths and jazzy piano chords, creating a more summertime soul style to the track. the fourth and final dub mix sees goshawk use erik s vocals in short but sweet snippets, adding extra atmosphere to the track but allowing the piano and percussion to lead the way.

you may not have heard the name jackson almond before, but you will have likely heard some of his music. having released on wotnot back in 2013 under the name real, with a flurry of eps, remixes and bootlegs under this name and as part of duo boean (on bbe, warner, xvi & slowfoot among others), jackson has been delighting ears for a while now, with a particular knack for balancing hooks and earworms with original ideas and creative production. this ep began life as a series of headphone jams written when jackson was living outside of the city in self-imposed exile, tuning into the goings on in dance music from an external position. it was then polished into dancefloor gems at the wotnot studio at the total refreshment centre. the music reflects this, with the sonic palette reflecting lo-fi and outsider house, but with a warmth, depth and musicality specific to his own personal situation.

*** check b2: !!! *** bath-come-london party purveyors, origins, take to channelling some of their creativity into the creation of their own origins label. at the helm for the debut release is bristolian up-and-comer tommosini. having heard move d unleash the beauty of another dimension at freerotation last year, origins knew they had to find out who the mastermind behind this deep house gem was and the rest, they say, is history. another dimension transports you through the galaxies via a combination of dreamy pads, crisp percussion, full-bodied bass and those sensual deep tinged vocals. future classic in the making. the a2 i dont stop carries on the u.s flavoured deep house with a vocal house track that wouldn t be out of place coming from the shores of chicago masterfully intertwining a bumping bassline, soft organs and those introspective, luscious vocals. flip it over and you re treated to two interpretations of another dimension. first up fellow bristol bass badboy, hodge, serves up a signature remix, chopping the vocals and layering them behind a pounding kick and machine gun percussion to give that bass heavy flavour hes become so well known for. deadbeat steps up to close out the ep with a heavyweight techno rework of the original, complete with hypnotic bleeps, phased hats, and intermittent sub bass goodness, all tied together with a driving kick to give a real industrial feel to the remix.

to celebrate the anticipated release of the 4th episode of the iconic soul compilation shaolin soul this september, uncle o has unearthed two new special soul treats: the extended version of float on by the floaters and a rare vocal version of marvin gayes ive got mine

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

2018 repress! full official re issue of paul johnsons sex crazed / track happy ep on dance mania. all areas of chicago house covered in pjs unique style.. includes the classic give me ecstasy. full 2016 re master.

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

versus volume four welcomes three new pairs of talented producers to the lossless camp. finnish duo trisector & infader bring some tough and dirty stepping vibes with “who are you”. austrian pairing faible & konfusion deliver the ultra funky roller “innocent”. brothers slider and expose drop a half time monster in the form of “soundsistem” and soul intent teams up with nottingham best vocalist e with the cinematic “snow”.

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

a coming together of some serious house music legends. boys own don terry farley teams up with kevin swain of d.o.p. for a peak-time acid anthem memory child. label boss posthuman strips it back for a sheffield bleep techno vibe remix, while kirk degiorgio rebuilds the track with modular acid and epic piano chords into a blissful, sunshine anthem. terry and kevin bring it all back with the more chilled acid tool mix to complete the ep.

part 4 of 5 to be released over the coming couple of months. originally released on the phono label in 1995/96 the parts series from matthew herbert are a much loved collection of house tracks that sound just as original and bold today as they did when they were first released. this series of 12-s were part of an early wave of exploratory dance music that paved the way for the deep house that still works its magic on dance-floors in 2018 some 25 years later. the mix of herbert s playfulness alongside expertly grooving production and unusual sounds makes this unique collection of work. the odd few tracks aside this is the first time that these releases have ever been repressed. all newly remastered for this reissue series, the releases include stone cold club classics such as deeper , take me back , resident , people that make the music and see you on monday .

first time lp reissue from the original 1985 master tapes on 180gr vinyl. including liner notes. on iii hymne houyoux further explores the electronic instruments he also used on planètes which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music.

‘neverending story’ opens with ‘a dimension reflected’ and its introductory mixture of keys and beats. the beat is built upon piece by piece, while slippery synths fill in the upper registers. the second track, ‘planet texture’, opens with a blossoming pad which is soon joined by a steady kick and some bouncing synths. before long an adventurous bassline joins in and puts the track into full groove mode. there’s a twinkling synth floating above it all, sometimes present, sometimes not, making you wonder if you’re really hearing it at all. next up is the first track on the b-side, ‘old problems’. filled with little samples and microsounds, the track uses its beat to push through heady and sometimes disorientating array of colours that swirl across the track. a wide synth enters affairs a third of the way in and helps push the track out onto the dancefloor. ‘neverending story’ comes next, featuring a skittering beat and atmospherics that seem to come from far away. a low bassline pops in and out of the track here and there, while pondersome some keys complete the mood. the ep closes with ‘algorithm’, another scrambled, unpredictable track. the track opens with a rainbow of keys and synths, darting between your ears in their affected manner. an almost glitchy ambient track, it brings to a calm close a fantastic release.

flexin hard 2 by world champion turntablist dj woody, consists of all the scratch samples from flexicuts 3 and 4 (his innovative flexi-disc scratch record series) plus some added extras. side a is programmed at 83.33 bpm and contains 9 skip-proof scratch phrases plus full scratch sentence and 1 lock groove drumming sentence. side b is programmed at 100 bpm and contains another 9 unique skip-proof scratch phrases plus full scratch sentence and 1 lock groove beat. flexin hard 2 is pressed on white vinyl with full colour picture sleeve.

mega hypnotic minimalism. nara records is back with a second release by sonnen blumen kerne. second 4 tracker comes with some old school groovy breaking flavour and overpercussion jams. vinyl only.

unconformist is not conforming to some norm or socially approved pattern of behavior or thought. here they come with heavily stomping techno cuts, with two relentless remixers : joton well known for his hypnotical pounding techno, and endlec for raw hitting and disorientating strength

ruben montesco s new ep comes loaded with the purest, full-effect nineties sounds.
this throbbing 12inch is the artist s tribute, as well as a complete review, of some of the musical icons of this golden decade in electronic music.
ebm, new wave, techno and electro are the main styles blended in the four tracks included in this release.
a further listening reveals a clearly dancefloor-oriented ep that caches the essence of these styles and subtly brings them back to the present with elegance and savoir-faire.

moscow head-honcho archie hamilton teams up with cousin benson herbert for another collaborative ep on the imprint, bosteled via a club ready reshape from s.a.m. having already garnered support from some of the biggest names in minimal house, including raresh and barac, for previous productions, the ‘swerve’ ep is benson’s second, family-affair release on moscow. a promising up and coming talent, benson’s already played some of europe’s most prestigious dancefloors including sub club, fabric and paris’ rex club. as moscow enters its tenth year of releasing the most forward thinking and respected names in house and techno, label boss archie hamilton continues to release across europe’s most highly revered labels, whilst playing the world’s most exciting clubs and festivals including robert johnson, miami music week’s get lost chicago’s spy bar, croatia’s sonus and estonia’s moonland to name a few. ‘swerve’ sets a powerful pace with a rumbling bassline, offset against gorgeously melodic and minimal textures, it’s a roller that will undoubtedly be thriving across dancefloors this summer. informer, is a complex myriad of winding and hypnotic micro-melodies, which serves as a unique and effervescent follow up to the ep’s first track. denmark’s hotly-tipped dj/producer s.a.m is on remix duties for ‘informer’, delivering a jacking slice of dub infused four-four that deftly utilises the haunting riff of the original.

le matin, always rare and uncategorised, following the reissue of his early synthwavepop tunes on poussiere depoque and a track on the good lena wilikens dekmantel selectors 005 comp, this new ep on lost dogs ent. let you hear some of his last works. expect an ultra-cold-minimal-electro riddim, a less-mental-nearly-good-for-the-dancefloor tune with depitched haunted r&b vocals, an analog and bassy arpeggio ride on the flip side, oh my god! this is the peak-time-for-weirdo-nearly-techno tune, a blast, only for craziest djs that like broken-frustrated-uncomfortable dandefloors and to finish this well balanced 5 trackers: the are you depressed that much? its the 10th time youre listening to this ost of a dying world, this wont get any better but at least this is good music! tune. le matin is a good kept secret that prefer to take care of his kids than to travel the world of nightclubbing with drunk teens (ok thats how it is in france, that looks better in some other countries), but sometime you can hear his music on decks of some wise people and djs like call super, lena wilikens, house of traps, charles drakeford, jon k, bergsonist, body motion

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

goldbrick records third release comes from irish duo ringolevio. made over the course of a few months in various rooms around dublin, the record sways from playful electro to straight up jams with a few emotions in between. as more and more young people can’t afford to live in dublin city, ringolevio has some advice: eat your landlord, stone the dáil, defecate in the banks, moon the dup, hammer neo-liberalism, repeal the fuck out of the eighth, vandalise the donut shops.

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy.

the music contained in this album invokes the vibes and spirit that were so crucial to much of the music recorded during the 1960s & 70s in jamaica. if you talk to the musicians and singers of this era, they will tell you that the driving force behind the songs they created was the sheer love of music. this is one of the reasons these recordings are so powerful and move listeners to this day. music like this can only be made by those who were schooled in the studios and yards around kingston and is not something that can be easily reproduced outside jamaica. the kingston all stars represent some of the most legendary musicians to ever grace the little island & it is thanks to their passion and dedication that we have a lifetime of music to enjoy

this is already our seventh deep love compilation and we dare to say our most complete yet in sound and flow. the ten pieces on this sampler blend in perfectly with that laid back late summer mood. we are very pleased to welcome yet again some new acts to dirt crew with the likes of jaxx madicine, ouer, times are ruff and s3a. we cross many borders not only in genres but also country wise. from the heavy disco sampled jam by french producer s3a to the jazz and funk laden epos of the italian 3 piece jaxx madicine over to the dutch deep house boys times are ruff who are well known from their, same named, label and finally to the berlin duo ouer who also run an own label and released with our good friends at heist recordings, delivering an ecstatic electronic floating tune here. this is all completed by some excellence from long time dirt crew artists. 25 places have been with us for many years now and their two eps have gotten so much love from the deeper deep house community. here they drop an epic almost idm techno like tune that closes this great album in the best possible way. our icelandic stall wart felix leifur drops a heavy hitter named buster. after his recent bobby donny ep earlier this year we are thrilled to have him back on dirt crew! harry wolfman and ponty mython need no introduction really, they are adding electro/ disco/ electronica fuelled cuts that form a great middle part to this mix of tunes. harry going in very smooth and relaxed, something else than his usual house workout which we really loved to present to you

for their third release keepsakes and jaded nineties raver’s haven imprint are welcoming young irish rising rave upstart tommy holohan to the label for his debut vinyl release - “skull crushing techniques”. making his name through his residency at the techno & cans club night at dublin’s legendary party spot hanger, holohan also showed off his production ability through his dance hit “subaru impreza” and his recent ep on civil disobedience, earning him support and tips from some of the biggest djs from across the spectrum, from mall grab to dax j.

deep driving & pounding dubbed techno where e-gzr’s chorded patterns are all segued with its simple palette of wavering eq’d beats & sonics. each separate track is like a dub of the previous one and the basic skeleton allows some kicks to hide while others punch the sound system to a 3d outlet box. or in short: solidly banging 4 tracker by e-gzr. loud & heavy cut, beware of needle weight!

elision imprint kicks things off for their first release with heavyweight nima gorji. hypnotic atmospheres are underpinned by a foundation that keeps on rolling, while distant celestial resonances and intriguing vocal reflections consolidate the tight, percussive groove. varhat’s remix builds on some primary motifs from gorji’s track and deeply integrates with an up-front bassline that’s here to take names, not prisoners. east end dubs brings a mesmerising contrast with his complimentary and immersive approach that precisely rounds off elision 1.

after last years excellent discoveries from volume 1, another batch of lost and unreleased dutch (cassette) material is coming back to the future. for this sequel we dug deep into the dutch lowlands and again found some independent music thats still relevant today. in the process we met even more amazing musicians and heard great stories from a distant-not-so-distant past. expect a wide palette of diy and experimental sounds by artists from groningen, zwolle, arnhem, the hague, rotterdam, tilburg and deurne. volume 2 will also feature a beautifully designed inlay with liner notes in dutch and english. mastered by wouter brandenburg, designed by steele bonus and compiled by mark van de maat.

as well as manning his own label duro, theus mago can be found slinging out heat on turbo, kill the dj and more recently ombra. the mexican producer returns to home turf for his latest transmission, serving up one original track with two killer remixes. -inertials- is a rowdy beast in its original form, tapping up a breakbeat roll, dirty wave synth stabs and plenty more sonic debris for a cut that spans a whole lot of styles and makes them gel together seamlessly. inigo vontier takes the original and makes it into a bone-rattling drum track to batter the crowd into submission very late on in the dance. jamie paton takes a different approach on the b-side, weaving a little tenderness into the mix with some elegant synth lines that offset the raw bite of the drums beautifully.

st. petersburg resident kuzma palkin is a busy guy, having recorded music in the past as audiocad, cylindro, plattformer and many more. under his own name hes contributed to russia s respected gost zvuk label, and now he signs up to the excellent ukranian outpost wicked bass to drop some hypnotic and delightfully dusky club tracks to inject a little spice into a minimal scenario. the release kicks off with windy bass, which shares a little rugged spirit with stls sonic style and love of loose swing, before diving down into the misty waters of fordism 0205. exalted flow has a more detailed arrangement that pushes extra detail, sequence wobbles and fx tweaks onto the drums to make for a dynamic rhythm workout. krisis ekktro completes the set with a blown out electro throwdown that will be gold dust to any self-respecting machine funk deviant.

p.e.a.r.l. is launching the fifteenth installment of his falling ethics series with two versions of a serious club destroyer that has been released on the label back in the early days of falling ethics. sorrows has been reflipped to a 2018 version that is sounding modern, large and in sync with the current aesthetics in techno music. while this version can be located on the b-side, on the a-side we find a larger than life cub version (karl o conner & simon shreeve) that will definitely turn some heads over the next few months. reworking classics is not always needed but in this case, it’s a welcome addition completely in harmony with the times.

finnish dj and producer otto yliperttula, aka yotto, is a dance music star in the making. championed by some of the genre’s most respected trailblazers and building an army of adoring fans, yotto is primed to join the big leagues with the release of his highly anticipated debut album ‘hyperfall’. yotto’s unique sound blends dark, brooding atmospheres with light, uplifting melodies – deftly hitting the sweet spot between melancholy and euphoria. otto draws inspiration from his childhood favourites the chemical brothers and röyksopp, along with more contemporary influences ranging from eric prydz and m83 to jon hopkins and xxx. having debuted on anjunadeep in early 2015 he quickly caught the ear of bbc radio 1’s pete tong and annie mac, picking up no fewer than 5 ‘essential new tunes’ and 3 ‘hottest records in the world’, along with dj support from the likes of solomun, jamie jones, patrice baumel, adriatique and joris voorn, who signed yotto to his renowned green label. the 13-track debut lp hyperfall is the culmination of three years in the ascendency, and sees yotto continue to carve his own exciting path.

bristol’s finest reggae producer meets doncaster’s number one dancehall mc as mr benn & parly b join forces for an ep chock full of vibes. first up -gwarn go bathe- is a cautionary tale of lacking personal hygene in the dance underpinned by a bubbling dancehall riddim. -heat up- is much of the same as things get hotter, whilst -session cork- slows things down a little with some more laid back vibes. despite working on various remixes together, this is the first time mr benn and parly b have worked in a combination - hopefully the first of many more to come!

spice 1 is an undisputed west coast legend, who first hit the scene after the n.w.a. and closer to home too $hort explosion of the late 80s. as history showed, he continued that bloodline with finesse and authority. his nasal flow is menacing and strong, and fans have been consistently captivated by his hood tales since his self-titled debut in 1992. if you want thematic range with your mcs, spice isn’t that dude he is all about crime tales and the perils of ghetto life. and he attacks that storytelling sweet spot with each new cut. spice 1 boasted four singles by the time it was all said and done, and breezed to gold status on the strength of cuts like the catchy east bay gangster, the heartfelt tales and truths of welcome to the ghetto, and the thick, grooving in my neighborhood. he even produced the alcohol-themed 187 proof, another of the albums singles, and the hands-down cleverest vocal outing on the lp. sonically, the backdrops on spice 1 range from plunky, keyboard-bassline funk to deeper, fuzzy 70s samples and he sounds strong on top of both. break yourself is fueled with an electro-funk drive, 1-800 spice brings reggae flavor, and peace to my nine gets chunkier, with a well-placed p-funk one nation under a groove sample. presented here on official retail vinyl for the first time since its initial release 26 years ago, spice 1s debut holds the test of time and carries the california gangsta flag with pride. some colors just don’t fade.

quasi reminds us of the mid-90 s us styled techno from the likes of synewave and even some robert hood tracks from that era, but optimized for the floors of today. on the b-side, parallel goes into familiar skudge territory, with a brooding and haunting atmosphere - twisted up with some of that well-known funk that skudge has been pushing for a decade now.

special offer!!!! early support from marcell dettmann, kr!z, monoloc, james ruskin, and more. form and function presents a compilation of 4 dancefloor orientated tracks by some of the labels favorite producers

boogie box launched in style last year with a release from the mighty stl, and now they re revisiting that strong first step with a clutch of smartly selected remixes from some deep cover operators. juniper drops two dubs of -haze & kraze- that press squashed synth pressure, found sounds and splattering fx into tight but funky grooves with a distinctly nocturnal feel. fold s dub of -hide & seek- spaces things out beautifully, taking a crooked, steppers approach that works wonderfully with the source material. jonas friedlich s own dub of -hide & seek- takes a dustier path through the undergrowth, completing a package of truly non-conformist techno that chimes with stl s own outsider spirit.

bar records is the lovechild of bar rotterdam, a club founded in 2013. bar records will release a variety of music linked to the club, by people that are regularly playing in the laid back colorful space that is bar. we are excited to announce the first release with french label owner of macadam mambo, sacha mambo, who made us some trippy originals, and local fader (from borneo). he created a trancy banger aswell as a more dreamy house track.

maps is a project by a london-based lithuanian drummer and producer, marijus aleksa. this labour of love is the culmination of many hours spent touring and in-session with some of the greats of londons bubbling contemporary jazz scene, resulting in marijuss first solo project to date. the ep combines elements of jazz, afrobeat and electronic music through free-form jamming and remixing, with movement and the dance floor firmly in mind.

like all great music, it s difficult to pinpoint what this sounds like exactly - but toronto s block univers have cited their influences to include -boogie, house music, cold wave synths, gospel vocals, 808s and moog basslines- - so that would go some way to explaining the magic here. we tried to jam in as many of our favourites on this release as possible. more bang for your buck!

dead rail is a soundshaping railroad soaked in fog and cough. dead rail is the breath that transforms light into smoke. smoke into brain waves and brain waves into some anamorphic sound blend. dead rail is a walk through an eyeburning beat and runs on mandibular tracks. dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic. dead rail is the suspended activity of synapses while earing is driving the other senses. dead rail is the dying frequency in your ear. dead rail is noise from within.